- People
- Leadership & Staff
- Research faculty
- Gabriela Aceves-Sepúlveda
- Alissa N. Antle
- Sheelagh Carpendale
- Parmit Chilana
- Jon Corbett
- Steve DiPaola
- Halil Erhan
- Brian Fisher
- Marek Hatala
- Kate Hennessy
- Alireza Karduni
- Sylvain Moreno
- Carman Neustaedter
- Will Odom
- Philippe Pasquier
- Niranjan Rajah
- Bernhard Riecke
- Gillian Russell
- Thecla Schiphorst
- Chris Shaw
- Wolfgang Stuerzlinger
- Ron Wakkary
- Ö. Nilay Yalçin
- Palashi Vaghela
- Teaching faculty
- Emeritus
- Adjunct Faculty
- Alumni
- Work at SIAT
- Opportunities
- Research
- Programs
- Undergraduate
- Graduate
- Micro-credentials
- News & Events
- Spaces & Equipment
- StudioSIAT
- Media
- Showcase
- Showcase Submission Form
- Spring 2026 Project Showcase
- IAT 265 Louie's Sandwicheria
- IAT 265 Katana Master
- IAT 265 Supermarket Simulator
- IAT 312 Nightborder
- IAT 312 End of the World
- IAT 313 The Tavern
- IAT 343 Under Pressure
- IAT 343 Pot Bound
- IAT 343 WORLDS
- IAT 343 The Heist
- IAT 351 ReCallia
- IAT 355 Pokemon Cultural Relevance
- IAT 355 The Triad of Modern Cinema
- IAT 355 The Uneven Wave
- IAT 355 Delivered
- IAT 355 Dead Internet Theory
- IAT 355 Every AI Query Has a Carbon Cost
- IAT 355 Youtube Trending Analysis
- IAT 355 TikTok Vs Spotify
- IAT 355 Marbled Murrelet Habitat & Population in BC
- IAT 380 Charlotte Destivelle
- IAT 380 Lumi & Pip
- IAT 380 Selene the Low Rent Exorcist
- IAT 410 Witch's Winter
- IAT 410 Arcane Redemption
- IAT 410 AstrOh-No!
- IAT 410 Fantaseum
- IAT 445 Atom Viscera
- IAT 459 TrailTracker
- IAT 459 UniBazaar
- IAT 499 Beneath the Grey
- IAT 459 Mixtape
- Fall 2025 Project Showcase
- IAT 100 Onions on the Side
- IAT 100 LEGS
- IAT 100 Where is My Husband
- IAT 202 On the Line
- IAT 233 The Voronial Pavilion
- IAT 235 CMC Pet
- IAT 238 Jazzdor Festival Microsite
- IAT 265 Aquarium Life
- IAT 312 Greedy Goblins
- IAT 312 Take the Reins
- IAT 313 Hollow Sacrifice: A Dying World
- IAT 313 Sporefall: No One Left Behind
- IAT 313 The Innocent's Descent
- IAT 333 Mastercard Fraud Analysis Dashboard
- IAT 333 Vancouver Police Museum: Adaptive Mode
- IAT 334 Roominate
- IAT 334 Spotify Jam Feature Addition
- IAT 343 The Secret of the Skygarden
- IAT 343 Autoviscera
- IAT 343 We'll Be Right Back
- IAT 351 Moody
- IAT 351 Anchor Funds
- IAT 355 The Voyager
- IAT 355 The Housing Crisis
- IAT 359 Chemtrails: The All-in-One Travel Planner
- IAT 359 Consistency
- IAT 387 PhoenixRise
- IAT 445 Santa's Little Helper
- IAT 445 Something Lurking
- Spring 2025 Project Showcase
- Fall 2024 Project Showcase
- Summer 2024 Project Showcase
- Spring 2024 Project Showcase
- Fall 2023 Project Showcase
- Spring 2023 Project Showcase
- Fall 2022 Project Showcase
- Spring 2022 Project Showcase
- Fall 2021 Project Showcase
- Spring 2021 Project Showcase
- Fall 2020 Project Showcase
- Contact
- Staff & faculty resources
Stingray Model
Animated beautiful machine (spatial design)
By: Honbete Jaewon Lee, Aron Aguilera
Course: IAT 106 Spatial Thinking and Communicating
Description: Designed for IAT 106's ABM Final Project, this mechanical creature was designed to emulate the fluid and natural movements of sea creatures, primarily the stingray, using everyday materials and a hand crank system.
Making use of a 4-bar linkage, alongside a series of custom designed a-frame "ribs" offset by a given angle, as the hand crank at the front of the "head" is rotated, the fins rise and extrude in cascading order. This not only creates a ripple or wave-like motion through the fins, but is reflective of the way stingrays move through water.
This is achieved through a series of dowels that connect between each end of the ribs, that allow for the fins to rotate freely on the given axis. The weight of the fins keep them directed towards the ground, creating a natural curve and slant that ties the fins to the outer housing of the model while still being able to showcase the spiraling spine.
In addition, a series of spikes that run along the spine piston in a similar wave pattern, and a tail that sways back and forth were implemented to try and create as many unique variations in movement as possible, all through a simple turning of a crank.